Hometown Heroes: These Are Destroy Boys’ Top 10 Favorite Bay Area Bands

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Photo by: Ash Gellman

Whether you’re looking to discover your next favorite punk rock group or rekindle your connection with Bay Area artists such as The Cramps, Dead Kennedys or Primus, you’ve come to the right place. 

Today, to help learn more about emerging Hopeless Records act Destroy Boys, we’ve asked the talented trio to let us in on their musical mindset and show off some of their favorite hometown heroes from the Northern California community. 

To check out which ten artists vocalist Alexia Roditis, guitarist Violet Mayugba,  and drummer Narsai Malik picked as their favorites from San Francisco to Sacramento and everything in between, be sure to look below. Afterward, for more from the punk rock powerhouse Destroy Boys, head here.   

ALEXIS RODITIS 

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Burd 

Burd is this awesome duo from SF. I don’t remember the first time I saw them, but I went to every single one of their shows that I could get to. The guitar rips and the drums are so creative. Their two instruments combined with the vocals put me into a trance state where all I wanna do is spaz out and yell along. I feel very inspired by Burd’s hard, melodic, and clever guitar riffs. So sick. 

Rituals of Mine

Rituals of Mine is another one of my favorite Sacramento bands (Sacramento is not the bay, but Sac is where my roots lie. Don’t @ me). Terra puts on an incredible performance, taking the crowd on a journey with them through the songs. Their music is very intricate and emotional, something I try to emulate in my own way in rock music. 

The Cramps

Gosh, I love The Cramps!! Another Sacramento band. They were one of the first local rock bands I got into when I first started going to shows. I couldn’t get enough of the sexual energy that comes through their songs, I hadn’t heard anything like it! I love they they’re proud freaks. Their music makes me want to dance and contort. 

VIOLET MAYUGBA 

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Tørsö

Torso (stylized as Tørsö) is an absolutely ripping hardcore band based out of Oakland, CA. I heard them for the first time when I was 17 and still living in Sac. They completely changed my vision of hardcore, and influenced me to add a bit more power to some of the riffs I was writing.

Dead Kennedys 

Everyone knows this one. DK’s Give Me Convenience Or Give Me Death was the first record I had ever bought for myself at 13 (2 years before we started the band). I couldn’t stop listening. The urgency and the anger of this band completely painted a picture to me of the kind of music I wanted to make.

RAD 

RAD were a thrash hardcore band from Sacramento that Alexia and I used to go see all the time. Completely consuming hardcore that would bust through 15 songs in close to 15 minutes. They were the first female fronted hardcore band I had ever seen, and I NEVER went back. 

Deftones

My favorite Sacramento band of all time. Around The Fur helped me create a higher expectation of my guitar parts, and influenced me to add darkness and character to our songs. Also, just the sickest band ever. 

NARSAI MALIK 

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Juicebumps 

The best current band in San Francisco, hands down. Their debut album ‘Hello Pinky’, which came out in July of 2020 is a top to bottom work of freakish genius. Recorded on tape, this album is all over the place in the best way possible. From tracks that consist only of samples, to full on timeless bangers, to music made by and for computers, there’s something for everybody. I’m sure in another dimension, Juicebumps formed because Devo and Nirvana met in a club in Berlin and had a naughty one night stand, and they were the spectacular creation that popped out nine months later. Their range in style is truly inspiring because I always strive to be stylistically diverse, and I never want our band to be stuck to one sound. Listening to Juicebumps and seeing them live always leaves me thinking, grooving and laughing my ass off which is the perfect trifecta of emotions when I’m listening to music. 

Primus 

My older brother’s hand-me-down iPod Nano had many nuggets of wonder in it, many of them heavily contributing to the music that now embodies who I am as a person. One band on the iPod was Primus and the only song saved under their name was “Harold of the Rocks”. Because I had enjoyed the rest of what was in my brother’s music library, I remember putting it on and thinking nothing of it, but I couldn’t make it past the verse because it was way too advanced and non-traditional rock for my lower school brain. Many years later when I had gotten into Primus’ other hits like “Jerry Was a Race Car Driver” and “John the Fisherman”, I revisited the fabled song and had a revelation that Primus was one of the most important bands to ever come out of San Francisco. At this point in my life, as opposed to when I first found out about them, I had started playing drums. Something I take away from listening to Primus even to this day, is how their drummer Tim Alexander fits in notes where you would have never imagined playing them in a million years. He opened my eyes to the fact that there’s more than just on-beats and off-beats, and that there’s way more room to throw in flurries of hi-hats or whatever, tastefully of course. 

Sly and the Family Stone 

I honestly didn’t know that Sly and the Family Stone were from San Francisco, until I did a quick search for bands from here, but I’ve always loved them! My mom grew up in Chicago in the 70’s, so funk and soul have always been a part of her. It was played in our house and on road trips but I never fully appreciated it until much later. What I like about Sly is that he has the charisma of James Brown, but a  down-to-earth, not so untouchable feel to his music. Before I listened to Sly, all l knew about funk was the flashy, ‘show-biz’ side of it, but Sly and his band made me feel like I could play this kind of music too. I love funk music because it feels so open and freeing, and it’s just really fun to play on drums. It has a sense of candidness and inclusivity that draws you in, even when you’re just playing along to songs in your headphones. It’s the only type of music where I can completely shut my brain off and just play. I’ve always tried to apply that unrestricted feeling to my drum parts, and Sly’s songs are the epitome of that for me.

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